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[DhtmlXQ_adddate]2010-07-13 15:07:01[/DhtmlXQ_adddate]
[DhtmlXQ_editdate]2010-07-13 15:07:00[/DhtmlXQ_editdate]
[DhtmlXQ_title]屏风马平炮兑车反击当头炮过河车[/DhtmlXQ_title]
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[DhtmlXQ_open]C17 中炮过河车对屏风马[/DhtmlXQ_open]
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[DhtmlXQ_comment0] ||本局的屏风马是挺3卒，而现代发展并流行的屏风马布扁，大都挺7卒，而平炮兑车.由刘彬如和徐家亮合编几的《中炮过河车专集》比较系统地探索研究了这类的布局，可兹参考[/DhtmlXQ_comment0]
[DhtmlXQ_comment8]屏风马方第4回合即走高右炮，使阵势过早定型，易受红||七路炮攻击，故后来此着改为先跳右马，等待局势发展，必要||时左炮平边兑车，另寻反击途径[/DhtmlXQ_comment8]
[DhtmlXQ_comment13]其中红第7回合如改兑，||车，局势趋于平淡，而红方冲中||兵局型是企图发动猛攻的，因||此不愿兑车，于是是导致后来||较激烈的对攻状态.[/DhtmlXQ_comment13]
[DhtmlXQ_comment14]黑方准备平7路||炮打车，暗瞄着红无根三路马、||相，这种反击战术与高右炮是||完全不同的。[/DhtmlXQ_comment14]
[DhtmlXQ_comment15]此着如马七进五会吃亏[/DhtmlXQ_comment15]
[DhtmlXQ_comment22]黑第10回合退边马咬车兼保炮，迫使红车撤回河界，这||步积极反击的着法源于古谱《梅花泉》。||||《泉》谱与此略为不同，[/DhtmlXQ_comment22]
[DhtmlXQ_comment25]如急于饱五进三、象3进5炮八平五，车8平2.红难以开展攻势。[/DhtmlXQ_comment25]
[DhtmlXQ_comment26]如急于反击跳马9进7，车三平六，卒3进l，车六平七，红持先手。[/DhtmlXQ_comment26]
[DhtmlXQ_comment28]稳健之着[/DhtmlXQ_comment28]
[DhtmlXQ_comment35]另有两种变化[/DhtmlXQ_comment35]
[DhtmlXQ_comment42]双方平稳||||||总的来看，屏风马采取平炮兑车.战术，反击力较强、当头炮方面感到急进过河车冲中兵的攻法不易扩大优势，.便考虑采用五七炮(不急于冲中兵)的较含蓄的战术.即平衡发展出动左右双直车的战术:是其中之一。[/DhtmlXQ_comment42]
[DhtmlXQ_comment1_40]黑得子[/DhtmlXQ_comment1_40]
[DhtmlXQ_comment2_42]红无先手[/DhtmlXQ_comment2_42]
[DhtmlXQ_comment3_28]在陈洪钧对杨官麟的局例中，黑没吃红兵，||冒险走出车l平4[/DhtmlXQ_comment3_28]
[DhtmlXQ_comment3_34]对攻[/DhtmlXQ_comment3_34]
[DhtmlXQ_comment4_28]黑反先[/DhtmlXQ_comment4_28]
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